Posts Tagged ‘Kommunity FK

17
Apr
12

J Devil Spins A Top The Cahuenga Corridor At Dim Mak Studios

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Let ‘s saunter down memory lane for a little history of the Cahuenga corridor as I move to my story of J. Devil‘s DJ set and KoЯn’s The Path To Totality listening party. My mind glides to the dark part on Ivar where an old brick warehouse, now known at Space 15 Twenty, was used by Taime Downe of Faster Pussycat and Ricky Rachtman, both put together this badass party full of Rockers and Scensters of the period, that included Motley Crew and members of the Pandoras. In a secret room the members of the Crew were sticking to the Porn Stars while those on the outside sucked down booze from the bar. I remember stealing a bottle of Tequila, I was essentially caught, but I owned it and walked away with the spirit of giving bouncing around in my head. The Tequila proved a little strong for me after a recent incident where Tex of Tex and the Horseheads challenged or taunted me into downing a fifth of “Takillya” leading to me vomiting and passing out on the floor of my Hollywood apartment. In the course of the night’s events I ran into Melanie Vammen of the Pandoras and passed it on to her, much to her glee! You could say that’s my first blurry night in the Cahuenga corridor. At this time and for many years to come the Cahuenga corridor was a dangerous drug soaked area with potential crime at every corner. Making it perfect for an underground music scene to flourish!

Upon my return to Los Angeles in the nineties I found myself once more in this uneasy neighborhood on Cosmo, Ivar and Cahuenga. I believe at the time Josh and Solomon were calling their club Gas Light and then the Opium Den. Many a night had gone well but on this one occasion outside Gas Light these girls pissed off this trucker with some red neck comments. He then threatened to shoot us. He went to the cab of his Simi-truck to fetch his gun. In no time he was brandishing it with his own insult towards us. He was easily in our view, gun swinging, near the front of the truck. I advised all in attendance to move on. That was my last night there for some time to come. I didn’t visit the area for another 5 years. By this time Cosmo had expanded and the neighborhood generally safer. That night Perry Farrel was doing a solo performance in the grand room behind Cosmo or the front that was exposed to Ivar that is now known as The Ivar. This night the freaks were out! I had my Moroccan henna tatoo I had picked up in Venice Beach the day before still dwelling on my arm. A true sign of the times. As I stood in the crowd waiting for Perry to hit the stage this woman passed me. It was a tight squeeze. This woman made a point to run her hand firmly across my chest, cruising my nipples. When she was in direct contact with me, face to face, she made a number of lude sexually charged comments to me, while allowing me feel every inch of her body, as she slowly squeezed by. Funny, I was in love with a Texas girl, named Julie, who introduced me to KoЯn while I lived in Dallas. The KoЯn show was in late 94 in Deep Ellum. I called her this night in 97 after Perry’s show because she loved Jane’s Addiction. We used to hold hands and sing “Jane Says”, walking in the cool evenings on the streets of Deep Ellum. So this woman’s pass at me was more irritating than satisfying at the time. Although, it registered on my perv meter strongly as pretty pervy.

Other events that occurred at the Cosmo would have been the time this guy was hitting on Linda Perry, next to me, as we huddled close together in a conversation on the stair steps, ha! In the course of our conversation he offered to us both some lines in the bathroom from his bindle of coke. That was a high moment of hilarity! Linda is gay and sober. I was sober at the too. Another time I saw Bernie Taupin‘s Farm Dogs. This time Solomon Mansoor of Zen Cowboy opened for Bernie Taupin. That was a special night because I hadn’t seen Solly in tens years. It was such an amazing pleasure to have seen him after all those year from the old Shake Shack and Dirt Box days. It was like a family reunion. Zen Cowboy rocked the house too! I was in too much awe of Bernie Taupin to speak to him, a hero of my youth, but I so wanted to say something. It was a marvelous night. There was the time I saw Harry The Dog with Tequila Mockingbird and John X Volaitis (sound engineer for Marilyn Manson) with my friend Irene Liberatore of The Puppies. I was a big fan of the draggon ice sculpture slide that delivered shots of ice cold Jaggermeister sliding directly into my mouth. Then there was the time I was with my posse of Patrick Mata, Sherry, The Slutters of Retail Slut and Roz Williams of Christian Death celebrating Michael Stewart’s release party of a compilation of Bowie covers songs by local Goth Bands. Kommunity FK was one of the bands who covered Bowie‘s “Panic In Detroit“. The back story on the recording had Kommunity FK, Patrick, Sherry, Roy and then myself (I’m not in the band. I’m a band-aid) soaking up 40’s at The Sound Factory and putting on the finishing touches on KFK’s version of Panic In Detroit. I’m on the clap track. The only recording I’ve ever been on with international distribution. Michael Stewart through a slamming party for that CD release with the KFK cover. Nuttiness reigned throughout that night. Before it was all over at Cosmo, someone had been hit on the head with a full bottle of beer, while I ended up on my knees in front of a pay phone in the hall way surrendering to my temporary, yet very demanding, dominatrix. Snaps that was a crazy one at Cosmo that night. Sadly, with in the month Roz Williams of Christian Death committed suicide. Sometime there’s a cost to burning brightly.

The next move came to the Cahuenga corridor when Cinespace and Starshoes dominated the area. Kimberly Browning was Artist In Residence at Cinespace with her Hollywood Shorts program to Cinespace. Stepphen Hauptfuhr was revving up the heat at Star Shoes solidifying what is now known as the Hipster movement. Those were drunky days for me indeed. Lots of open bars and skirt chasen as the area became hipper and safer.

Rounding the corner to this new decade on the Cahuenga corridor, soon after my return from 2012 SXSW, I received a generous invite from Alexandra for a special event at Dim Mak Studios located pretty much where Cinaspace was in dominance in another time. The night was put together by Cornerstone Entertainment and Dim Mak, as listening party for KoЯn’s The Path To Totality. This brought back memories of seeing KoЯn from Deep Ellum many years before in Dallas. Julie was the one who connected me to this show. Julie was more into Metal than I, but I do love me some brunette bobs and quirky ex-Catholic bi girlies. I can’t helps myselfs! Julie filled that bill! It was around the time of KoЯn’s first release. I didn’t know it but I was witnessing the beginning of Nu Metal. There was a lot of buzz around KoЯn then.They were more raw than polished but their show had all the earmarks of a solid band that was on their way. Their fan base was motivated and dedicated as they shook the walls of this small Deep Ellum club and my hearing suffered because of it. I arrived late for the listening party but early for J Devil’s DJ set. I met the 2 Katherines from Cornerstone Entertainment who were generous and gave me The Path To Totality CD. The DJ was spinning in the back room if you entered from Cosmo or the back room if you entered from Hollywood Blvd. In attendance was Mickey Avalon and Randy Mathias of London After Midnight. I drifted after my orignal sizing up of the room to the back area leading to the area of red velvet lounging sofas. I had a brief chit-chat with Alexandra then rested in the mid area watching a young band play Juke Joint inspired Hipster tunes. Then the witching hour rumbled forth as the Dubstep pounded or exploded against the walls and formidably shook the floors of Dim Mak Studios. The introduction was made and J Devil was in the HOUSE! J Devil had a stage presence that appeared to be channeling Ming the Merciless from Flash Gordon with his maniacal stance, arms splaid lifted above his head (as if he was in mid cackle) or that of Dr. Morbius studied glare of deep concentration when he was in DJ mode on the wheels of steel. J Devil was mercurial to say the least, as he drove the crowd to a frenzy hitting the mic invoking all to dance or when he was giving a shout out to Steve Aoki. He kept it live! When he wasn’t lighting the turntables (aka Mac Book Pro) on fire from behind, he would charge to the front with the mic in hand keeping the action going and engaging the fans. A pit broke out during a particularly heavy part of the set, endangering me and my camera. It was a hot and sweaty freak zone for all involved. For over an hour as J Devil delivered. You could hear the influences of Skrillex, Excision and Downlink as he worked the Dubstep synthesis of Rock, Hip Hop and Punk. Rolling into 1:30 J Devil was winding things down and sending out the love before he exited the stage. Soon J Devil was passing by me to the back area with the red velvet lounges. Of course, I drifted back to get a few more shots as the evening was ending.  Everyone was cool from Dim Mak and his management. I waited while the man caught a breather after a rigorous set. He removed his J Devil contacts and then cleaned of his J Devil teeth. Taking him from dark musical force to Jonathan Davis singer of  KoЯn. Soon we exchanged pleasantries and he gave me a few moments of his time to pose for photos invoking the Illuminati to keep it witchy after serving some pretty crunchy grooves at Dim Mak Studios. It was a night well spent.

01
Jul
11

Sunset Junction Media Mixer: Gala Extraordinaire!

After 2 music showcases and a trip to Oakland I had to have a moment to gather myself for rest and reflection before a huge and significant event that celebrates, dominates and defines the Eastsider’s sensibilities and lifestyle choices like no other event:   SUNSET JUNCTIONWhile Sunset Junction may polarize those who are proor-con, there is nothing on the “Eastside” that so clearly defines our hopes and dreams more than The Junction. Sunset Junction clearly celebrates diversity by creating commonality between us all, as it has for the last 30 plus years.  My first Sunset Junction was way back in 1986 with the focus on local, alternative and ethnic musicand lifestyles.  It was The Junction that offered openness to us all by bringing together the Latin and Gay communitiesamong others, to celebrate the amazing cultural richness of an amazing and picturesque part of Los Angeles.  I have fond memories of seeing Dezz Cadena announcing the bands year-after-year and hanging out backstage with Candye KanePatrick Mata’s The Legendary Wrong People & Kommunity FKThe Muffs, Luis Güereña of  Tijuana No and the legendary Pete Shelley of The Buzzcocks.  The Junction holds great meaning to me and to manymany others too.  These are all very rich and wonderful memories deeply engraved in the community from years past.  They include all the delicious Queens like TanjaJohnny and the many others who “Brought it!” with flair and drag-a-licious marvelousness every year in late August!!  For years The Junction became a home for Punks and Alternative types like myself, who blended in well with the Latin and Gay communities.  It gave us all a forum of self-expression and creative individualism on the streets, when no one else would have bothered todo so.  This is enough of a legacy for me to hold on to, one that revitalizes the Eastside community as no other entity could.  However, even more important to remember is the year-round, community outreach and good works provided by Sunset Junction founder/organizer Micheal McKinley and his team.  Proceeds from the annual event benefit the less privileged of our community, while continuing to promote understanding and tolerance among such adiverse population.
With this in mind, there has been an upswing of interest focusing on Sunset Junction over the last couple of years.  The shift has moved it beyond the spread of misinformation and negativity, while ushering in an exciting  “rebirth  to a whole new generation as we approach its   31st Anniversary.  I was fortunate enough to observe this new push and believe as never before that the best is yet to come An important indication of this renewal was clearly signified with Sunset Junction’s 2011 Media Mixer last Wednesday at Silverlake landmark El Cid Part of the buzz started when it was announced that El Cid is partnering with Sunset Junction to present a SixthStage called “Locals Only”  that features home grown talent.  Three snaps, it’s on!  Essentially this mixer brought together a whole new synergy for The Junctionby illuminating all of the marvelous talent in our community that wewill be sharing this year at El Cid.  The mixer demonstrated how The Junction is an important player in fortifying, building and maintaining the Eastside community, hands down.
I arrived at El Cid promptly at 7PM to start the photographic work in documenting this milestone event.  I arrived in the golden light of  the late afternoon sun, ready to knock out hundreds of shots of local personalities, community leaders, and established and emerging local musical artists. The patio was serene as I walked in to see Sunset Junction’s Micheal McKinleyThe Hotel Cafe’s Marko Shafer, El Cid’s Julianna Young and The Satellite’sJennifer Tefftthe team responsible for producing this year’s music and entertainment. They were prepping for the necessary photos opps, as a sea of photographers surrounded them.  The table to my right was set with a redtablecloth along with tons of goodies to eat, for the crowd that would soon descend to this historic site.  Besides the food, there was an Open Bar — to further promote the good vibes and celebration for this special evening.   The MediaMixer also showcased the Eastside’s wide reservoir of talent, including well received performances by Left Over Cuties and Peg Leg Love.  This allowed the media to get an advance preview of what the team had in store for this years festival.   Thanks to Karen Sundell from Rogers & Cowan (a fellow eastsider), whose deft planning skills supremely provided the necessary touch of elegance that made El Cid totally ready to party!

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Some of the first folks to celebrate were Steve Chagollan of VarietyHarlan Lansky of Seany RecordsAndy Sternberg of LAistTanja Laden of Flavor Pill and Brick Walh of LA Weekly, Andrea Dominack of LA WeeklyKevin Bronson of Buzzbands, Jessica Wedemeyer  of People Magazine, Jose Martinez of Venice Magazine, Abigail Parsons of Young Hollywood/Central Talent booking, Ronna Bronstein-Trumfio of Kingsize Sound Labs, reps from CBS Radio, The Huffington Post and a wide assortment of tastemaker/bloggers in support of the event.  The artists, musicians and personalities in attendance were many and that included, Stuart Johnson, Shirli McAllen, Ryan Feves and Mike Bolger of Leftover Cuties, Marie Hall, Daven Hall and Jasmine Ash of Oh Darling, Travis Moore, Ilir Zeneli and Henry Lopez of Peg Leg LoveDJ Morgan Page, Nicole Eva Emery, Summer Spiro and Ruby Spiro of Ruby Summer, Jacob Maltinsky, Adam Kurtz, Sean Johnson and Maria DeLuca of The Damselles, Kate Flannery, Aaron Finley, Erik Desiderio, Steve-Z Brenner and Andrew Van Baal of Big Dick,  Mike Hopkins, John Graney and Jake Gideon of The Californian, Nick Sandler, Mike Goldman, Matt Schwartz and Drew Beck of Chasing Kings, Matthew Teardrop and Katya Arce of Manhattan Murder Mystery, Steven Scott and Brian Canning of Shadow Shadow Shade, Alex Staniloff, Geoffrey Halliday and Sean Hess of HandsGraham FinkJimmy James and Calixto Hernandez of Barrio Tiger Holly Conlan, Carina RoundDan Burns and Zack Rae of Early Winter, Betty Kelly of Martha and the Vandellas, Bob Lee and Jon Wahl from ClawhammerMike Fong, East Area Director for Los Angeles City for Mayor AntonioVillaraigosa, Native Wayne representing Indie 103.1 and Kat Corbett representing KROQ.  On a side note, the Black Lips crashed the party, to hang out in the courtyard and soak up the radiating afterglow.  Surely, there weremany more in attendance, but your eyes and my eyes would suffer from fatigue in viewing a longer list.

The atmosphere was more than gregarious:  it was a blend of class reunion, a shindig, a hootenanny, a POB (Part Out Of  Bounds)  as we all mingled, greeted, got to know, laughed, shared storiesnoshed from the fine dining spreadset before us and bellied up to El Cid’s comfy open bar.  The craziness had gone on for hours and would have done justice to El Cid builder D.W. Griffin’s classic Hollywood standards.  It was Ten-ish when Team Sunset Junctionthat is: Micheal McKinley Julianna Young Jennifer Tefft and Marko Shafer took the stage to make announcements regarding this year’s Sunset Junction and to take questions from the audience.   Michealwas channeling the excitement he’s held for years about The Junction to an extremely engaged audience.  Micheal is a huge fan of Motown Soul, so he couldn’t hold back his excitement as he exuberantly introduced everyone to Betty Kelly of Martha and the Vandellas to a loud round of applause.  It was a sweet and classic moment as Betty rose to receive some much deserved praise and recognition.  This was also near the time Micheal and Juliannaannounced the news that El Cid would host local music artists as the the Sixth Stage of Sunset Junction.  There was crowd pleasing cheers from the audience.  There were a few more announcements, including the “Win A Slot”at Sunset Junction contest, in which bands compete to win a much-coveted performance slot this years festival.   For more details, please visit www.sunsetjunction.org. Micheal then opened up the stage for Leftover Cuties and Peg Leg Love to perform and close out the mixer.

Leftover Cuties performed first, bringing a hipster vibe to the El Cid stage that was reminiscent of bands like Edward Sharpe and the Magnetic Zeros or Amanda Jo Williams,with a Freak Folk sound that went over well with all attending. Then it was Peg Leg Love’s turn. Peg Leg Love rocked the house with some hard-driving blues/garage oriented rock.  They occupied the stage for nearly 45 minutes delivering power to their hot licks and kicks kind of sound.  Soon, I drifted out in the courtyard to cool off and take a break.  I saw Zack Rae (keyboardist Alanis Morissette, Carina Round and Early Winter) first and then Carina Round near the stairs.  It had been months and it was great to see her!  We visited for nearly a half hour.  I learned that she has been very busy and that’s why I and others in our circle haven’t heard a peep from her for the last few months.  She’s been traveling, has been deep in the recording process for her new CD, and regularly gigging with Early Winter,  a band she sings with on the side.

It was nearing the witching hour and the party had thinned.  I was finally able to kibitz with Karen on how stunningly the mixer had turned out.  There were a lot of  great things that had transpired that evening because of her very capable handling of the landmark event, in a landmark space.  That evening at El Cid demonstrated a most favorable precursor to this year mighty Sunset Junction Street Fair and concert event.  The mixer highlighted how stunning and innovative this year’s musical line-up is becoming and really got everyone pumped and excited for this year’s much-anticipated event.  I predict it’s going to close out this Eastside summer with an appropriate bang, thatcan only lift the bar that much higher for every other party or event for the rest of the year!




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