Posts Tagged ‘Bob Dylan

09
Oct
11

Culture Collide Blowing Up the International Indie and Alternative Music Scenes in Silver Lake

I recieved  an invite from Filter Magazine, of whom I’m a subscriber to their email updates, for the kick off of event for Cultural Collide Music Festival for the concert feature Nirvana: Live At The Paramount. A concert filmed in 1991 had been forgotten till recently. Once found it’s been cleaned up and edited from 16mm down to 1080P High Definition. While the invite suggested I should post this invite to my page with a “like” I couldn’t bring myself to do this. I did share it with a few of what I’d consider devotees of Nirvana or true music fans and close friends. I couldn’t stand the idea of fighting people to find a seat or standing in any line that were a quarter mile long. Thankfully, the tactic paid off making entrance easy and more exclusive. So the lesson here is if you want to be in the know you need to get your finger is the pie or you’re going to have to get your toes wet if you want to be in the action! This Wednesday at the Vista the showing took place with a sizable crowd but no nuttiness. I was very impressed with the feature. It was a perfect time capsule of the band represented and the Punk Rock culture of the time. First point of interest, for me, was when Kurt referred to was when he referred to the music he made as Punk music, not Grunge. So Kurt saw what he was doing as Punk and being true to those ethos. Awe, Grunge you are such a lovely marketing term. Another point of interest was the band’s dress or “Look” was composed: there was no stylist there throwing furs, bedazzling thingies or designer gear on them. Kurt had a sweater with a few moth holes in it, a tee and jeans. No dressing for success here! The sound of the feature was superb and the imaging was superior. For those who weren’t there when it happened it will be a revelatory experience, or others this will be a reminder of how genuine and real music performances were and can be. I left satisfied with the nearest thing to a live Nirvana concert one can receive now. It’s worth giving it a view.

Come Friday I was ready for some live music action and so directed myself to the hot bed of activity of Cultural Collide at Taix for a mixer featuring a number of Dutch bands, in this case it De Staats. What a surprise there were, delightfully quirky and I think there was a socio-political message too. They had this odd charm, the lead singer in proper business dress, while the rest of the band were in musician gear. I think he would’ve dropped the look if he had known how hot Taix was going to be. The lead had presence and knew how to keep it moving and to keep it interesting. There sound was with filled  tinkling keyboards and at had a military cadence at times that bring to mind bands like Wall of Voodoo, Pulp or Oingo Bingo but with a less stylized or quirky vocal approach. I felt, had I been from the Netherlands, I would have picked up on a lot of satire and humor in their presentation. Nonetheless, they were a wonderful way to start the evening off in the right way.

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WIM was the next band on my itinerary or should I say, I stumbled upon them in the Champagne Room of Taix. Hum, happy endings… I was immediately struck by the front man’s presences: vocally gifted, very emotive and dramatic in his presentation. He was captivating, moving and gesturing in a very interesting manner while delivering impressive and stylish vocal performance. I thought at first they were some nutty Eastern European band that was branded as being folk glam. Is this a departure from Freak Folk? He approached the mic like a Silent Movie Star would approach a love interest: brooding, steamy and filled with dark lust. By the second song I was sold and the ladies there had been on board long before I showed up. They temperture raised a few degrees while the band slyly slipped their had up out skirts, musically speaking, while we fell into a trace of ungarded pleasure. WIM is a remarkable band and a must see!

I arrived in time to catch Portugal’s The Gift. The lead singer, has an exotic look and a lively stage presence. She dances and takes dramatic poses, while she delivers a poppy Alternative Rock. Not quite No Doubt, not quite Lena Lovich nor quite Loop Guru, The Gift delivers a tuneful dance Rock that is closer to mainstream or Euro pop than what I’d consider alternative, but lively in any case. Their sound is lush with keyboards, riffy guitars and power drumming. During the last song they the keyboardist used a theremin to great and dramatic affect bumping the overall energy and excitement to the show as a whole.

Next on my wish list was The Morning After Girl. These guys were great, providing dense dark hypnotic melodic alternative Rock to a ever growing crowd. The buzz I had received was on target and they delivered. Somewhere in the realm of Spiritualize, Pink Mountain tops or the Verve this band was a knock out pulling off an awesome interpretation of Neo-Phychedelic Rock. I could have listened to a longer set and nested there for the rest of the night had I not had more trouble to get into. The Morning After Girl knew their instruments had good stage presence and the lighting only made the experience richer and put this band on my hit list to visit again.

The local buzz on Avi Buffalo had drawn my attention to what all the hub-bub was about. So, I trekked back Taix’s Champagne room for my last show for the night. I’d say what Avi Buffalo is somewhat like Darker My Love but referencing more of Bob Dylan and less of Tom Petty with a big dip in to Neil Young and Crazy Horse and the tiniest dash of White Strips. The sound is folkish but in an electric way and in a singer song writer way too. The lyrics are thought driven and introspective. The audience were composed of Hipsters and young locals. It reminds me of how I’d often go to see Tell Tale Hearts in San Diego part of the Garage Sixties sound that was a subculture to the Punk subculture.  I found them to be more rewarding than Darker My Love: more song craft and musicality. I look forward to digging deeper with this band as time goes on. Cultural Collide has curated so far some memorable and amazing talent. I can’t wait to get my Rocks of fop the rest of the weekend here i Silver Lake.


30
Jul
11

Mishka: When the Raga Drops!

I was asked to photograph Mishka at the GRAMMY Museum some months back. All of this took place after a remarkable travel bender that started with SXSW in Austin Texas, then a bounce in San Francisco for Easter with friends and eventually ending in Seattle with a familial visit with dear my brother. So, once I touched down at LAX I had little more than two hours to make the GRAMMY Museum and Mishka’s visitation. I had made the GRAMMY Museum for a Miles Davis event some months back, so I had a tight bead on the location. It was the mass transportation variable that was going to make this a difficult hurdle to pass over.

So it all shook out just fine despite some tense moments. I was still able to catch Mishka‘s first performance where the kids are a part of the Grammy Jams program exposing children to music. Mishka, a father himself, did a family friendly set and answered questions for all these exuberant little ones. Later that evening Mishka played an acoustic set for an older crowd. After that set, Mishka was interviewed by Museum Executive Director Bob Santelli in the Clive Davis Theater, while taking a short break from supporting Kenny Chesney‘s “Going Costal” tour. The cosy environment of the Clive Davis Theater was a perfect setting for Mishka to talk about his upbringing, his new CD “Talk About” on JK Livin, his musical interest and influences. The interview revealed a thoughful artist raised on Bob Dylan and Bob Marley. He spent most of his youth and young adulthood growing up on a boat, living with his family, who sailed throughout the Caribbean, being exposed to Island life after his father quit the corporate world to live a more simple life. Mishka’s songs reflect those values intertwined with the spiriituality of the Rastas, merging them with the social awareness of the 60s and the modern concept of “Consciousness”. Afterwards, I spent a little time with Mishka and complimented him on his songwriting and tune smithing abilities. I could tell from the on stage discourse with Bob Santelli he wasn’t posing with his reggae drenched acoustic set. He is truly dedicated to the ideals of Rastafari and “Consciousness”. He truly has knowledge and understanding of the lifestyle. So I encouraged him to hook up with San Diego’s top Rasta, Makeda Dread. Makeda, in San Diego, was the primary promoter of Rastafarian lifestyle and “Consciousness”. She had San Diego’s first vegetarian restaurant and promoted Reggae concerts as seminal as any Punk Rock promoter during that period. She was instrumental in introducing me to Sly and Robbie, which I will be forever grateful! The time I spent with Mishka was validating on both a spiritual and emotional level. It was nice to see the Raga drop in the middle of such a pristine environment as the Grammy Museum.

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As things would have it my Mishka story wouldn’t end here. After a number of months performing the official Hard Rock pre-parties for Kenny Chesney’s “Going Costal” tour, once again, Mishka made a mainland connection for some special concerts and promotional shows in San Francisco and Los Angeles, continuing his support of his i-Tunes and Billboard Reggae charting album “Talk About“. I caught up with him at Rogers & Cowan, getting ready for a showcase for the Rogers & Cowan Summer Concert Series that Karen Sundell puts together to create awareness and interest in the emerging acts represented by the company. The Summer Music Series gives all involved a little hump day time to chill and take in the arts. I was looking forward to Mishka’s set. Everyone circled around him as he performed a satisfying, simple and to the point set of his newest songs from Talk About and old favorites. The room roared with appreciation of the performances of his songs “Give Them Love”, “My Love Goes With You” and closing his set with “Guy With A Guitar”. Soon he was off to yet another event in a week of back-to-back activities that wouldn’t end till he flew back home to Maui. While a farmers work is sun-to-sun, a musician’s work is never done.

For me there was one more chance to catch Mishka lay it down Raga style and that was at Hotel Cafe. Hotel Cafe is the Hub of the singer songwriter scene here in Los Angeles. Mishka had a prime spot to show his talents in a premier LA “Singer/Songwriter” hot spot. I’ve covered Carina Round and Walking Sleep here. I’ve enjoyed drinks and chit chat with Tom Livemore (Carina’s guitarist), Steve Fishman (James White and Hugh Cornwell) and Frank Infante (Blondie). So, Hotel Cafe has had some interesting and warm memories attached to it for me. Some time after my arrival, Mishka dropped in with guitar in tow and headed into the “Artist” area of Hotel Cafe.

I could tell things were a brewing, for sure, inside that room as I quietly sat at the table in the bar area of the establishment. It wasn’t long before Mishka took the stage with his guitar. He powered into his set. Something was different this night. As much as I enjoyed Mishka’s songs and previous performances this was a completely different kettle of fish. He was on fire! He was fiercely intense and ferociously committed to his art. He was vibrant and he rattled and glistened as I had never seen him before! His delivery of the songs was that of a showman and a Shaman. It was riveting, intoxicating and the crowd responded in kind. He started his set with “Long Road”, blazing deep into the set with “Higher Heights”, “One Tree”, “Talk About”, then followed with a sizzling rendition of “Above The Bones”. He shared comments and thoughts with the audience that brought them in closer as he pressed through the rest of the set. Everyone there hung with bated breath, and with anticipation, clung tightly to the edge of their seats as this show enveloped around them. As I learned later, Mishka does nearly all of his shows extemporaneously. Meaning, every show and/or set is done based on the feel of the room and the mood of that moment. So, he kept giving the people what they wanted and finished the set with “Stars Will Be Shining”. The whole show ran white hot. As the show concluded, it was as if the room was blasted with a bolt of cleansing air by of his stirring performance. There were enthusiastic yelps and cheers as Mishka left the stage. For all involved, the night concluded on a high note with some mighty Raga fever!

Mishka is a deeply committed and rooted artist that blends integrity, intensity and gifted song craft into something everybody can relate to. Talk About is his fourth album and there will surely be more from this deep well of creativity. So let the Raga drop!




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