Posts Tagged ‘performance art

09
Oct
11

Culture Collide Blowing Up the International Indie and Alternative Music Scenes in Silver Lake: Saturday

After making a late night and an early morning of it crunching a blog, sifting through, optimizing photos and making concert video I met up with Sandra at Taix. It was considerate of Sandra to save a place for me at Taix’s bar. We had just missed the Swedish showcase because we were running late. Thus missing the complementary Swedish beers. We caught up on the latest and discussed the upcoming line up for the next 2 days at Cultural Collide . Lanksies had a false start, which we found startling and funny. Then finally The Lanksies jumped in with their French version of Brit Pop: like Bloc Party, Adam Ant, XTC and Blur. It was hella fun! They were clever talented musicians that wrapped everything in a smirk and a wink. It was also very fun to hear the lead singer talk English with a slight French accent with an even heavier Scottish brogue. His pronunciation cause major confusion between Sandra and myself in the midst of our deducing Lanksies’ point of origin, even though they were introduced to be from France.  They gave a lot of bang for the buck. The closing song was a funny ditty called Client Eastwood is Dead. It was a snappy performance that made them memorable.

I headed over to the Methodist Church to catch my ole pal Carina Round who was supported by the amazing keyboardist Zac Rae. I love to hear her sing. She has such a beautiful and powerful voice. Her song writing and her composition are always superb. She was in fine voice this night; although, Zac had a buzz in one of the processors of his keyboard affects that was more distracting to them than the crowd in the church. It was an acoustic set with electric piano. Her fans were entranced and eating up the whole thing. She finished her set with Back Seat. It’s truly one of her most beautiful songs. She asked everyone to sing along. Then everyone joined in. I find that Back Seat is a powerfully sweet and sentimental that I choke up on it every time I sing a long. It was a great closer. I went up and got my free hug and briefly chatted. She had fans a waiting and who am I to stand in their way. Keep you eyes open for the upcoming Puscifer tour of which Carina will be an essential part of Puscifer’s show.

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Then I was off to Descartes a Kant. I had no idea what to expect. Woa, was I in for a surprise! The easiest way to describe them would be to compare them to The Plastics meeting The Tubes. They mix Doo Wop, orchestral mayhem, avant garde performance art and theatrics. I was bamboozle, flummoxed, befuddled by their colorful stage antics. The girls in the band through glitter on the crowd and sprayed eveyone in the audience with sudsy stuff while they pantomimed pouting, rage, surprise, horror, evny, wicked joy and revenge with all the mellow drama that could be mustard by three overly emotive gals. At times it was a drowning oral cacophony assault similar to the Locust with hyper amounts of estrogen poured on it. I found them thrilling, enthralling and hilarious! They had us by the balls and they were squeezing them tighter and smirking! There whole set was like listening to Gang of Four‘s He’s Send In The Army tied to a laugh. They are a must see performance on anybody’s book.

I then hunted up and down Sunset looking for the elusive space called 826LA. I was lucky enough to receive misdirection many times. But then I struck gold finding You Say France and I Whistle from Sweden. They were a mix of Love Is All, Weekend and Everything But The Girl with one exception, the male singer sounded like Robert Smith. So I would imagine when he sang I listening to Love Is All with Robert Smith would joining in for harmony at pivotal points in the sings. Odd,  but not repulsive, just odd. They had 3 singers two keyboards, a bass, a guitar and drums laying some smooth tasty Pop down with a little edge. I enjoyed the set and the crowd kept close and focused in this tight space as the music pumped out. It wasn’t a dramatic end to the evening, as I had hoped for, by finally seeing Isobel Campbell after 3 year of waiting. It was still a fabulously relaxing thing to do at the end of a long day of running around Silver lake.

31
Aug
11

Butthole Surfers Rolled Out Saturday as Sunset Junction Shimmers Away

As Sunset Junction melted away on a Wednesday afternoon, as much as, the prospect of my blogging and photographing of the event dripped away that day as well. Of course, there was a constant running dialog within a tight circle of friends on the Topic of Sunset Junction with it’s very much anticipated line up for Saturday and Sunday. This year’s line up was to be the  best and most concentrated ring of talent to have ever grace the streets of Sunset Junction in my memory. As the prospect of this inclusive weekend event broke into smaller fragments spreading amongst the various Eastside clubs, businesses and even local homes, I got a life line from my friend, Chris, who desperately wanted to see the Butthole Surfers and Clap Your Hands and Say Yeah. Sadly, only one was to come to pass. Chris invited me to review and photograph the Butthole Surfers at the Echo Plex with the lure of dinner and drinks. This was an easy sale!

Come Saturday, we planned to get together and as the plan developed we nested at Taix, which is within spitting distance of the Echo Plex. The week had been hectic and chaotic for me with moving and travel, while putting a video package, EPK, together for artist and one man band “Ricky Lee Robinson” at a special party and showcase Heidi Margot Richman put together with a group of music publishers. Fatigued, exhausted and hilariously immobilized by an accident earlier in the week I managed to joined Chris for our drinks anyway. We started our Rock N’ Roll quest by ramping up the fun level at Taix with drinks and gossip. We started with a round of beers and a shot of whisky followed by another round of beers and then finished up with the same and one last shot of whisky a piece. Our Taix waitress managed to serve some rather large shots. We were both very afraid of those shots and happy about it at the same time. So we delayed gratification by sipping gingerly the whisky presented and continued talking about music. Chris is an exhaustive collector of tunage, who’s interest spans from the early Seattle scene, exotic Pink Floyd releases, Peruvian Psychedelics and a host of alternative bands of note. His interest is more perfectly represented in his eBay Store Vinyl Piper. So our conversation was peppered with obscure and trivial details about music and the music business.

We had agreed upon a strategic hit at the Echo Plex, thus avoiding local favs, 400 Blows. This is not the British 400 Blows of the late 80’s who’s focus was experimental: cut and paste found sounds, beats and noise delivered with social conscious grooves. I have the greatest respect for their work. The British 400 Blows had a brilliant adaptation of Charles Manson‘s interview with Tom Snyder; which was a supreme twisty mind fuck. This LA based 400 Blows preform boring, dullish and unimaginative rock n’ roll fare: always to be avoided!

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Chris and I easily scooted through the line of the Echo Plex to enter in to the “Sold Out” land of the Butthole Surfers! It was nice to run into Bert Ferguson and Iris Tower-y to pow wow for a minute before the show got started. During my exploits I ran into Anthony Ausgang, Marialyce Pedersen, Amanda Sherren and the lovely Satanica Batcakes as the evening progressed. The crowd moved with urgent zeal as the band took the stage for a very anticipated show. By this time I had completely lost Chris, who was eager to see the Butthole Surfers, for the first time, as I was for this Texas based band. The fans were entrenched, vacuumed sealed, you might say, as I tried on a few occasion to drive deep to the center to get better photos of the band as they performed. I should say I’m far from being a devotee, my impressions of a Butthole Surfers’ performance aren’t that of a manic band or a high energy ensemble, but more of a band that is jammy and thinky by nature. They’re as much performance art as Laurie Anderson. The Butthole Surfers show consist of slides and snippets of sub-pop counter-culture collages-images and video installations. This propel the lyrical narrative with spliced psychedelic Dadaist approach to words/images, using hypnotic trance flavored tonal rock that puts them in a category and in ideologically alignment, with ideas and thinking that is more in line with Sonic Youth. Although, Sonic Youth is very different musically than the Butthole Surfers. I dipped into my Butthole Surfers brain trust of devotees, Marialyce  Pedersen and Satanic Batcakes to get a read on the performance. Marialyce was cooing the praises of the Butthole Surfers magical set. Satanca had a very different perspective of the Butthole Surfers show. She pointed out that the sound mix was sub par and muddy. She also claimed that the Butthole Surfers were best when two drummers were playing. This round King Coffey, only one drummer this round, was with the band as Satanica pointed out. She said the Butthole Surfers were best when two drummers were present, which included the drummer Teresa Nervosa, as the Butthole Surfers had had in San Francisco at the Filmore in 2008. The sound was muddy on the parameters of the crowd and in the pit the sound appeared to clear up: meaning there was a sweet spot. So there was poor sound design by the sound man at this show. The Butthole Surfers played there mid 90’s hit “Pepper” that faded between being the recognizable hit and defused oblivion, bringing home Satanica’s take on their performance. Other songs covered in the set were, Hey, The Shah Sleeps In Lee Harvey’s Grave, Creep in the Cellar and they encored with 22 Going on 23. The show had it’s compelling moments, but because Gibby spent most, if not all, of his time at the Vox and that static presence tended to created a stillness in middle the stage. Paul Leary and Jeff Pinkus had their volleys of action on either side, yet I found it hard for them to peak the stage energy in a synergistic way with Gibby’s Vox monolith between both. This lowered the overall energy of their set. I found I could hear in my mind where they wanted to go, but on a few occasions I couldn’t figure out with my ears where they were ending up. For true fans and devotees this a was a truly great performance. Hitting lots of high notes, digging deep from their older catalogue to the fan’s satisfaction. That all being said there were few defectors from the crowd at the Echo Plex during the performance: all lingering on every last morsels of delivered dosage by this siminal ground breaking post punk neo-psychedelic band. You can sign me up for another trip when the Butthole Surfers roll around again.




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