Posts Tagged ‘The Muffs

28
Apr
12

New Yawk Exiles Rumble At Johnny Thunder Tribute at the Satellite

My first encounter with anything remotely associated with the New York Dolls was in the 80′s while I worked background for Janet Cunningham. It was then I met Arthur Kane on the feature of Modern Girls. But Arthor was reserved and distant at the time. I got to know his wife a little better while we were on set. Of course, all us Punk Rock extras were excited he was on set. We were all a buzz because of his presence. The next time I ran into Arthur was at the Troubadour for a gig Dawn Laureen had with her band The Eye Shadows. By that time I had known Frank Infante for a while and the 2 of them were hanging out in the front bar area of the Troubadour. I hadn’t seen Arthur for over a decade so I vaguely recognized him but I thought he was another member of Blondie. Frank politely corrected me and informed me he was Killer Kane of The New York Dolls. Of course, I was impressed! I love the Dolls. We spent some time at the bar, both sober, but that didn’t dampen the good times. Frank was hilarous and Arthor soft spoken and shy. There’s something that is always refreshing, especially in Hollywood, about a New Yorker’s state of mind and point of view. I guess the bad news for everyone involved was that Arthur died within the year of leukemia. It was pretty tragic for a number of reasons. Arthor was the subject of Documentary in med production. He had gotten his life on track. He had been sober for many years where he was getting to a point of sane balance. He’d gone in to diagnose a persistent cold one day and by the next morning had passed away. It’s chilling that someone could go so fast. I informed my friend who was the entertainment editor of the LA Times at that time because I felt it was important news for him to know. So stunning was the news that the editor’s disbelief immediately greeted me with a very suspicious email challenging that information. This dialog endure for 10 more confirmation emails before I handed him over to the source. It was just getting too messy. By the time it was confirmed by the source it had hit the wire. So confirmation was no longer necessary. I guess The LA Times missed a scoop. It was a shock to us all, but it had to be magnified exponentially for those close to him. To get the full story on Arthor Kane you may want to check out the documentary New York Doll.

The word got to me about the The Johnny Thunder Tribute when I ran into Calixto Hernandez of Barrio Tiger at the Harvard and Stone Bar. I was there to soak up the good vibes from Zachary James’ residency that night. Zachary James and the All Seeing Eyes and Alexandra and the Starlight Band were sharing a residancy at the Stone Bar for the month April. Calixto hammered down the DL that Barrio Tiger would opening for New York Exiles for  the Johnny Thunder Tribute at The Satellite the following week. I got a big ole fat metaphoric hard-on at the prospect of seeing some of my most favorite musicians: Fank Infante, Steve Fishman and Clem Burke. This round they’re calling themselves New York Exiles. I was counting the days!

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Saturday approached and I was more than ready to make the scene at The Satellite. I hadn’t been to The Satellite since the Christmas Party. I was wanting to get back to one of my favorite haunts. Spaceland, now The Satellite, has been known as a mainstay of alternative culture in Silverlake forever. From what I can remember it had already been the place to be as far back as 94′. This is not taking in account the years of ramp up that got the word out all the way down to the OC and the record label I worked at the time. On one of my early visits I ran into Ronnie Barnett from The Muffs. I knew if Ronnie was at Spaceland the place was cool. So you can say it was a long strange trip that got me to the club for the Johnny Thunder Tribute. I arrived in high spirits while the Neurotics were breaking down and the Crazy Squeeze was soon to hit the stage. It wasn’t long before I saw that Steve Fishman arrived. He had to get settled and so did I. Shortly, Steve strolled by and we had a moment to recount what had transpired over the last few months. Our mutual friend and former guitarist for Carina Round, Tom Livemore, had been playing with a Dubstep ensemble back in Britain. Hugh Cornwell had returned to England after recording his new album Totem & Taboo that was produced by Steve Albini. Wow-we-wow-we-wow! That’s some damn good news. I will digress because Hugh, one of my musical heroes, has a piping hot new release called Totem & Taboo. There’s no set date for Totem & Taboo release but you can hear 2 of the new songs by clicking on this Totem & Taboo link. Produced by Steve Albini, both Steve Fishman and Clem Burke are part of this project. From what I’m listening to it’s going to rock your panties off! Crazy Squeeze ramped up the volume and Steve once again had to be off to kibitz with Frank and Clem.

Crazy Squeeze started their set delivering a dirty version of New York influence Punk with the most manic activity from Frankie Delmane who dropped to his knees, lunged and virtually rolled while playing his guitar. Frankie was like Guitar Hero extreme, while Johnny Sleeper ruthlessly pounded the skins. Johnny Witmer kept all eyes to the front as he jaunted about the stage and powered into every vocals. As these things do they blew in, they blew up and then they blew out.

Dawn Laureen arrived near the end of their set. It was a pleasure to see Dawn Laureen after all these months. As a photographer, Dawn Laureen has caught some of the most notable of music artist in the act with her camera that include the likes of Iggy Pop and David Bowie, among many others. We started a dialog that would continue off and on through most of the night. Frank came up and then they were both off to the back room behind the stage. I headed back to the former smoking area (RIP) where so many naughty things have transpired over the years. The star sightings and peep show activities mixed with gallons of beer and booze has made the room an epic hang for over a decade. Richie Ramone put forth a formidable set driving the beat and hitting all the bases. The crowd responded with enthusiasm for what I thought was a short set. It wasn’t long before Motorcycle Boy headed by Francois occupied the stage delivering the grit and the passion. I’ve seen Motorcycle Boy many times. That means in the early day till now. My most memorable moment was with Francois at Goldfingers next to Pla Boy Liquor in Hollywood. I was re-introduced to Francois after many years. The most stunning element of our meeting was his holding my hand in a “shake” position for some 15 minutes. It was the longest hand shake I’ve ever had in my whole life. I like a hand shake that lasts, say 15 seconds. So this meeting wore thin quickly! He held my hand longer than Nikki Sixx did backstage at the Greek for Duran Duran. So there’s no more hand shaking for those guys! Beside that, Francois served some good up stuff and the tune that resonated the most for me and I’d say for a few folks was the snappy “I Hate The Sunset Strip”. Motorcycle Boy had properly warmed up the crowd for New York Exiles.

Guess what?! New Yawk Exiles were up next in their Rock Star splendor with snappy gear thrilling everyone in the room. The room pressed to the front as Frank, Steve and Clem filled the stage. I was at the opposite side of the stage of Dawn who was manning the area nearest Frank, while Steve was nearest me. They started off the set with In Cold Blood. A little later NYE crawled up on Born To lose that revved up the fans. The ladies liked to move it about to I Wanna Be Loved. Then came a pause where Clem took center stage. As the opener to It’s Not Enough. Clem dedicated the song to Johnny Thunder and all those who hadn’t made it with a rousing statement for those who raged and who had burned ever so brightly. This brought back a memory where Clem was particularly serious and thoughtful. The most serious drummer I’ve ever met. The back story to illuminte this moment and as a reference to his gravitas would be the time we were all hanging together at El Cholo riffing and telling stories. Most of the time I’m all ears because the stories are always amazing. But I had this thought on my mind for years. I really wanted an answer from someone who was there. So I popped the question out to the guys regarding James White of the No Wave scene in New York. Basicly or the jest of my quires was, “Why did James White come out with so many albums on ZE Records in the late 70′s?” Clem slam dunked it with what I, and I’m paraphrasing here, as he illuminated the subject with his thoughts: He’s a junky. Often when a musician has a need for more dope the best solution is to come out with another album or another project. Look at Nick Cave and how prolific he’s been. I was dumbstruck at such a succinct keenly insightful analysis. Returning from that memory to Clem as he was speaking from the stage of the Satellite this night. He offered a passionate non-judgmental statement honoring these wondrous and wayward souls who have left us. Clem then remarked we are the survivors! Then without hesitation Clem hammered on the drum and slammed out the vocals to “It Not Enough”. It was one of the most powerful moments to the whole evening! Jet Boy was next to keep the fans swinging. And if that wasn’t enough they soon lit into David Bowies and Iggy Pop’s Funtime. The room was going nutty! I think they were exploiting the thin brown line that ran as a theme throughout the whole set. What a great way to close the night out! There was nothing left but satisfaction as we all drifted to the back room to hang out and spin a few more yarns. This was the third annual Tribute to Johnny Thunder at the Satellite and was put together by Roy Morgan of the Neurotics at The Satellite. It set the bar high for next year. Let’s hope for another barn burner!

01
Jul
11

Sunset Junction Media Mixer: Gala Extraordinaire!

After 2 music showcases and a trip to Oakland I had to have a moment to gather myself for rest and reflection before a huge and significant event that celebrates, dominates and defines the Eastsider’s sensibilities and lifestyle choices like no other event:   SUNSET JUNCTIONWhile Sunset Junction may polarize those who are pro-or-con, there is nothing on the “Eastside” that so clearly defines our hopes and dreams more than The Junction. Sunset Junction clearly celebrates diversity by creating commonality between us all, as it has for the last 30 plus years.  My first Sunset Junction was way back in 1986 with the focus on local, alternative and ethnic musicand lifestyles.  It was The Junction that offered openness to us all by bringing together the Latin and Gay communitiesamong others, to celebrate the amazing cultural richness of an amazing and picturesque part of Los Angeles.  I have fond memories of seeing Dezz Cadena announcing the bands year-after-year and hanging out backstage with Candye KanePatrick Mata’s The Legendary Wrong People & Kommunity FKThe Muffs, Luis Güereña of  Tijuana No and the legendary Pete Shelley of The Buzzcocks.  The Junction holds great meaning to me and to manymany others too.  These are all very rich and wonderful memories deeply engraved in the community from years past.  They include all the delicious Queens like TanjaJohnny and the many others who “Brought it!” with flair and drag-a-licious marvelousness every year in late August!!  For years The Junction became a home for Punks and Alternative types like myself, who blended in well with the Latin and Gay communities.  It gave us all a forum of self-expression and creative individualism on the streets, when no one else would have bothered todo so.  This is enough of a legacy for me to hold on to, one that revitalizes the Eastside community as no other entity could.  However, even more important to remember is the year-round, community outreach and good works provided by Sunset Junction founder/organizer Micheal McKinley and his team.  Proceeds from the annual event benefit the less privileged of our community, while continuing to promote understanding and tolerance among such adiverse population.
With this in mind, there has been an upswing of interest focusing on Sunset Junction over the last couple of years.  The shift has moved it beyond the spread of misinformation and negativity, while ushering in an exciting  “rebirth  to a whole new generation as we approach its   31st Anniversary.  I was fortunate enough to observe this new push and believe as never before that the best is yet to come An important indication of this renewal was clearly signified with Sunset Junction’s 2011 Media Mixer last Wednesday at Silverlake landmark El Cid Part of the buzz started when it was announced that El Cid is partnering with Sunset Junction to present a SixthStage called “Locals Only”  that features home grown talent.  Three snaps, it’s on!  Essentially this mixer brought together a whole new synergy for The Junctionby illuminating all of the marvelous talent in our community that wewill be sharing this year at El Cid.  The mixer demonstrated how The Junction is an important player in fortifying, building and maintaining the Eastside community, hands down.
I arrived at El Cid promptly at 7PM to start the photographic work in documenting this milestone event.  I arrived in the golden light of  the late afternoon sun, ready to knock out hundreds of shots of local personalities, community leaders, and established and emerging local musical artists. The patio was serene as I walked in to see Sunset Junction’s Micheal McKinleyThe Hotel Cafe’s Marko Shafer, El Cid’s Julianna Young and The Satellite’sJennifer Tefftthe team responsible for producing this year’s music and entertainment. They were prepping for the necessary photos opps, as a sea of photographers surrounded them.  The table to my right was set with a redtablecloth along with tons of goodies to eat, for the crowd that would soon descend to this historic site.  Besides the food, there was an Open Bar – to further promote the good vibes and celebration for this special evening.   The MediaMixer also showcased the Eastside’s wide reservoir of talent, including well received performances by Left Over Cuties and Peg Leg Love.  This allowed the media to get an advance preview of what the team had in store for this years festival.   Thanks to Karen Sundell from Rogers & Cowan (a fellow eastsider), whose deft planning skills supremely provided the necessary touch of elegance that made El Cid totally ready to party!

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Some of the first folks to celebrate were Steve Chagollan of VarietyHarlan Lansky of Seany RecordsAndy Sternberg of LAistTanja Laden of Flavor Pill and Brick Walh of LA Weekly, Andrea Dominack of LA WeeklyKevin Bronson of Buzzbands, Jessica Wedemeyer  of People Magazine, Jose Martinez of Venice Magazine, Abigail Parsons of Young Hollywood/Central Talent booking, Ronna Bronstein-Trumfio of Kingsize Sound Labs, reps from CBS Radio, The Huffington Post and a wide assortment of tastemaker/bloggers in support of the event.  The artists, musicians and personalities in attendance were many and that included, Stuart Johnson, Shirli McAllen, Ryan Feves and Mike Bolger of Leftover Cuties, Marie Hall, Daven Hall and Jasmine Ash of Oh Darling, Travis Moore, Ilir Zeneli and Henry Lopez of Peg Leg LoveDJ Morgan Page, Nicole Eva Emery, Summer Spiro and Ruby Spiro of Ruby Summer, Jacob Maltinsky, Adam Kurtz, Sean Johnson and Maria DeLuca of The Damselles, Kate Flannery, Aaron Finley, Erik Desiderio, Steve-Z Brenner and Andrew Van Baal of Big Dick,  Mike Hopkins, John Graney and Jake Gideon of The Californian, Nick Sandler, Mike Goldman, Matt Schwartz and Drew Beck of Chasing Kings, Matthew Teardrop and Katya Arce of Manhattan Murder Mystery, Steven Scott and Brian Canning of Shadow Shadow Shade, Alex Staniloff, Geoffrey Halliday and Sean Hess of HandsGraham FinkJimmy James and Calixto Hernandez of Barrio Tiger Holly Conlan, Carina RoundDan Burns and Zack Rae of Early Winter, Betty Kelly of Martha and the Vandellas, Bob Lee and Jon Wahl from ClawhammerMike Fong, East Area Director for Los Angeles City for Mayor AntonioVillaraigosa, Native Wayne representing Indie 103.1 and Kat Corbett representing KROQ.  On a side note, the Black Lips crashed the party, to hang out in the courtyard and soak up the radiating afterglow.  Surely, there weremany more in attendance, but your eyes and my eyes would suffer from fatigue in viewing a longer list.

The atmosphere was more than gregarious:  it was a blend of class reunion, a shindig, a hootenanny, a POB (Part Out Of  Bounds)  as we all mingled, greeted, got to know, laughed, shared storiesnoshed from the fine dining spreadset before us and bellied up to El Cid’s comfy open bar.  The craziness had gone on for hours and would have done justice to El Cid builder D.W. Griffin’s classic Hollywood standards.  It was Ten-ish when Team Sunset Junctionthat is: Micheal McKinley Julianna Young Jennifer Tefft and Marko Shafer took the stage to make announcements regarding this year’s Sunset Junction and to take questions from the audience.   Michealwas channeling the excitement he’s held for years about The Junction to an extremely engaged audience.  Micheal is a huge fan of Motown Soul, so he couldn’t hold back his excitement as he exuberantly introduced everyone to Betty Kelly of Martha and the Vandellas to a loud round of applause.  It was a sweet and classic moment as Betty rose to receive some much deserved praise and recognition.  This was also near the time Micheal and Juliannaannounced the news that El Cid would host local music artists as the the Sixth Stage of Sunset Junction.  There was crowd pleasing cheers from the audience.  There were a few more announcements, including the “Win A Slot”at Sunset Junction contest, in which bands compete to win a much-coveted performance slot this years festival.   For more details, please visit www.sunsetjunction.org. Micheal then opened up the stage for Leftover Cuties and Peg Leg Love to perform and close out the mixer.

Leftover Cuties performed first, bringing a hipster vibe to the El Cid stage that was reminiscent of bands like Edward Sharpe and the Magnetic Zeros or Amanda Jo Williams,with a Freak Folk sound that went over well with all attending. Then it was Peg Leg Love’s turn. Peg Leg Love rocked the house with some hard-driving blues/garage oriented rock.  They occupied the stage for nearly 45 minutes delivering power to their hot licks and kicks kind of sound.  Soon, I drifted out in the courtyard to cool off and take a break.  I saw Zack Rae (keyboardist Alanis Morissette, Carina Round and Early Winter) first and then Carina Round near the stairs.  It had been months and it was great to see her!  We visited for nearly a half hour.  I learned that she has been very busy and that’s why I and others in our circle haven’t heard a peep from her for the last few months.  She’s been traveling, has been deep in the recording process for her new CD, and regularly gigging with Early Winter,  a band she sings with on the side.

It was nearing the witching hour and the party had thinned.  I was finally able to kibitz with Karen on how stunningly the mixer had turned out.  There were a lot of  great things that had transpired that evening because of her very capable handling of the landmark event, in a landmark space.  That evening at El Cid demonstrated a most favorable precursor to this year mighty Sunset Junction Street Fair and concert event.  The mixer highlighted how stunning and innovative this year’s musical line-up is becoming and really got everyone pumped and excited for this year’s much-anticipated event.  I predict it’s going to close out this Eastside summer with an appropriate bang, thatcan only lift the bar that much higher for every other party or event for the rest of the year!




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