Posts Tagged ‘Billy Bennight

20
Aug
19

Maisel Day Expounded!

Palisades Village – The Bay by Cinépolis Luxury Cinemas on Amazon Prime Video’s “Maisel Day”. All Photos ©Billy Bennight

The Hollywood Roosevelt Hotel

The Marvelous Mrs. Maisel has been nominated for 20 Emmys and Amazon Prime Video has celebrated the momentous occasion of being the most Emmy nominated comedy for 2019. Amazon Prime Video has treated Los Angeles with “Maisel Day” where various retailers throughout the various communities in the city offered special 1959 pricing from a host of opportunities ranging from food to hotel rooms.

My Maisel Day started on Wednesday night as I dropped by The Hollywood Roosevelt Hotel to find out when I could book a room for $40.00 a night. My research yielded a 9 Am call to line up for a room. Following this research expedition, I ended up late to bed and an unfortunately early to rise.

In the morning my first priority was The Roosevelt. Walking up it was immediately apparent there was a line. That line ran all the way from the door of The Roosevelt to the corner and possibly beyond. I knew immediately I wasn’t going to be able to book a room.

It was time to continue to the next level of my Maisel Day’s plan. There were a lot of great places to experience on Maisel Day like Canter’s Deli or Starring by Ted Gibson. But considering the prospect of long lines and possible dubious outcomes, I set my sights on the Pacific Palisades.

I rarely visit the Pacific Palisades and didn’t realize how serendipitous my decision was until I found myself in Palisades Village where all the action was happening. My first move was securing an appointment at Gornik & Drucker for my $3.00 haircut.

See’s Candies

Felicia and Liz on Maisel Day 2019

Once this key part of my itinerary was secured, with a five hours plus wait laying in front of me, I moved quickly to get the most of my Maisel Day. I set my sights on the See’s Candies for $1.50 of candy which was a $21.00 value. While the idea of securing great values and bargains it is also exciting to imagine or internalize the mid-century world that The Marvelous Mrs. Maisel inhabited. The See’s candy line was long but in the world of lines it proved to move speedily and I had my chance with the candies in about 45 minutes. Rick Caruso accompanied with a handful of other gentlemen passed us by coming from the See’s candy area when a man next to me called out to ask him how his day was going. Rick answered back with a salutation indicating his day is going fine. It’s unusual to spot the owner of The Grove and the Palisades Village, a billionaire publically strolling any mall but there he was checking out Maisel Day with the rest of us. A See’s employee who had been handing out candies came around to count us out. We made it but soon after the count supplies ran out. See’s Candies offered p their last supplies while I was at the register. From there people moved on to their day or sought a new line to take advantage for Maisel Day goodies. I had my eye set on the Rueben at Hank’s.

Continue reading ‘Maisel Day Expounded!’

27
Jun
19

A Ramona Otto Retrospective “Do These Stripes Make me Look Political?”

Assemblage Artist Ramona Otto‘s Solo Show “Do These Stripes Make me Look Political? – A Retrospective” has arrived in the Los Angeles Fine Arts Building in DTLA. The Los Angeles Fine Arts Building in DTLA is the perfect environment to enjoy Romona Otto‘s patriotically inspired assemblage approach to art that captures the American spirit as Independence Day approaches for the 4th of July. “Do These Stripes Make me Look Political?” is nestled in the vestibule of the ornate Romanesque Revival architecture of Los Angeles Fine Arts Building also known as “Global Marine House” that was built in 1926. Otto’s 12 pieces will be easily available for public viewing inside this designated Los Angeles Historical-Cultural Monument beyond the 4th.

As Otto puts it, “When I grew up on a farm in Iowa in the 1950s, the American flag was a powerful symbol. I remember the pride we all felt when leading the daily Pledge of Allegiance at Washington #4, the country school a mile from my house…Today, it is often difficult for people to listen to and understand one another. I am nostalgic for conversations that end with a smile and ‘Let’s agree to disagree. Now, where shall we eat lunch?”

“Do These Stripes Make me Look Political?” captures the best sentiments of our country’s ideals by assembling various and assorted pieces like photos, stamps, toys, extracted pieces of printed materials, utilizing a dollhouse as a canvas and more, reflecting on Old Glory and our country’s historic values. Otto’s unique approached to uniting these different objects captures the nostalgia, earnestness, and hope of what America has been and will be to us all again. Otto extracts these pieces, these found objects and assembles them to reflect the iconography of patriotism and national pride by recontextualizes these snippets and pieces that acknowledge there is unity in diversity using both patterns and colors that binds us all together as one. Otto’s retrospective sets the right tone for the upcoming celebration of the 4th of July with an eye on the simplicity of color and form that binds us together.

Ramona Otto’s “Do These Stripes Make me Look Political?” will be on view in the Global Marine House’s lobby through July 7th at 811 West 7th Street, Los Angeles.

28
May
19

Party Party Party: Monday to Monday!

All Right Reserved Billy Bennight Photography

Living in LA has its advantages and this week here’s my accounting of cool things that happened. I’m a big fan of being active during the week because it offers smaller crowds, eliminates amateurs and offers greater intimacy with new acquaintances and friends alike. The larger the event the less promising the possibilities has been my experience. This will be a regular occurring write up in my Extravagant Behavior blog.

Monday found me at the Residence of  Belgium for drinks and bites mixed with a cultural and history lesson from the Consul General of Belgium, Henri Vantieghem, sponsored by The Los Angeles Press Club. The dress recommended for the evening was “Smart Casual” and I found myself in Hancock Park outside the residence with a smart look around 5 pm. Henri welcomed all of us in a formal and cordial way. He spent roughly 20 minutes informing us of the interesting history that precipitated the state of Belgium and offered highlights on what makes his country unique in European history.

After his insightful and enlightening talk, we were all invited to the garden and pool area of the residence for beautifully presented light bites and beverages that reflect Belgian culture and tastes. From the bar, I chose the Chimay presented in a Chimay branded glass that gave a beer drinkers thrill. The was a cauliflower and almond soup presented in a shot glass, baked mussels with herbs and tasty brazed steak cubes. I had a number of interesting discussions with various attendees where I languidly moved from porch to poolside. On my second visit to the bar, I happened to run into Mario-Max Prinz Zu Schaumburg-Lippe as I was about to order my next Belguin beer. It had been a while since I saw him last. We engaged in pleasantries and our mutual interest in red carpet events. Of course, Prince Mario-Max is often on the other side and the subject of the red carpet step and repeat activities. After that, I returned to my poolside table to continue my talk about men with women. There are opinions and secrets women will share with a sympathetic male that most men will never hear because they are too busy being “men” being. Often while being “men” they never negotiate subtle and nuanced conversations well and rarely take other’s feelings or thoughts into consideration. For a while, we enjoyed fresh air at dusk for a fleeting hour. It was a satisfying end in this phase of my evening.

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My next move was to the private media parté at HATCH Yakitori + Bar at The Bloc in DTLA for some progressive Japanese cuisine. I arrived in my Lyft to the side of the main entrance of The Bloc. There’s this staircase you can slip through and descend via an escalator HATCH Yakitori that ovoids prying eyes for a discreet entrance and exodus from the establishment. I arrived in a quiet seductive manner and the festivities were in full swing when checked in. Inside it was crowded, buzzy and energized with foodie frivolities with bites and beverages, cameras and phones mounted to capture moments to flood the eyes with food ecstasy and cocktail provocations. Over at the end of the bar was Executive Chef Daniel Shemtob, under amber heat lamps, with torch in hand searing the special A5 Nigiri Wagyu Beef on a bed of sticky rice. Chef Daniel set ablaze those tasty morsels of expensive and beautifully marbled Japanese beef for everyone who made it to this grand performance of culinary excellence nestled at The Bloc in DTLA. Fire, food, and libations dominated the rest of my evening that included these menu items: Hamachi, Avo Tuna Toast, Agedashi Tofu, Black Karaage Chicken, Chicken Meatball with Egg Yolk Stick, Thigh and Green Onion Stick, Mushroom Party Stick, Pee Wee Potato Stick, and Pork Belly Stick. These delicious bites were paired off with a curated Sake List, selected premium Japanese Whiskeys, and various Japanese Beers. Of all of these goodies, I had the Chicken Meatball with Egg Yolk Stick, Mushroom Party Stick, Pork Belly Stick, and A5 Nigiri Wagyu Beef. These bites were interspersed with cocktail moments like the Matcha Highball, Mangorita and 2 different shots of Saki: one was unfiltered in a pearl-ish white and the other clear. Both were not aged and were delicious. The Chicken Meatball with Egg Yolk Stick was pure Japanese ecstasy and A5 Nigiri Wagyu Beef “TDF”! Towards Chef Daniel shared his thoughts and aspirations for HATCH Yakitori and the experience he hoped people would enjoy when coming to drink and dine there.

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More After the Break

Continue reading ‘Party Party Party: Monday to Monday!’

16
May
19

Movie Review: “J. R. “Bob” Dobbs Church of the SubGenius”

“J. R. “Bob” Dobbs Church of the SubGenius”

“We are actually Religion, that seems like an Art Piece, that seems like a religion, that seems like performance art, that seems like a joke, that seems like a religion…” This quote got my attention in the “J. R. “Bob” Dobbs Church of the SubGenius” and most readily defines the J.R. Bob Dobbs’ movement and the message in Sandy K. Boone’s documentary film currently making its way through the festival circuit. The documentary envelopes everything from the Church’s inception to the current status as the Bob Hobbs’ story is told anecdotal fashion representing the aesthetic of movement itself. The history and evolutions of the Church of the SubGenius is as infamous and as obscure as it is dense and complicated for the outsider to fathom. Founders Doug Smith (a.k.a. Reverend Ivan Stang) and Steve Wilcox (a.k.a. Dr. Phyllo Drummond) were just 2 dudes smoking some weed when the revelation of “Bob Dobbs” was conceived in these young men’s minds. The message was clear and can be summed up in a few words to quote the Reverend Ivan Stang from his very own lips, “Bob, Slack, and the conspiracy!’

 

Sandy K. Boone and the “J. R. “Bob” Dobbs Church of the SubGenius” crew at the South by South West screening at the ZACH Theatre.

“J. R. “Bob” Dobbs Church of the SubGenius” is a relatively linear storyline covering the inception of J. R. “Bob” Dobbs “Super Salesman” as conceived by Doug Smith and Steve Wilcox as a means to reject the idea of American mid-century normalcy. “Bob” Dobbs found a sweet spot in the ‘70s and ‘80s counterculture that perfectly reflect their and many others overall disenchantment post-WWII America. It portrays the counterculture’s common ill at ease feelings with normalcy and socially acceptable behavior. Both Smith and Wilcox taps into a similar sensibilities that both R. Crumb comics and Gilbert Shelton’s “Fabulous Furry Freak Brothers” does, but in a twist explores the rejection of social norms by embracing  in “Bob”, the pinnacle of those beliefs from a different vantage point, rather than extolling the virtues of the eccentric and weird. J. R. “Bob” Dobbs and the Church of the SubGenius uses the facade of normalcy in a satirical attack of those accepted and worshipped values. Of course, something like J. R. “Bob” Dobbs movement evolves and grows over the years by adding layers and enlarging mythology takes on a new depth of meaning. The doc captures all the key moments that crystalized the Church of the SubGenius into a movement. The doc familiarizes the audience with church history by informing the audience with the cult’s terminology and jargon, like these terms “, Pinks” or “Normals”, “Pleasure Saucers” and the very important and fundamental concept of “Slack”. These all are essential parts to understand the ideals and social commentary the Church of the SubGenius lampoons and ridicules. 

Continue reading ‘Movie Review: “J. R. “Bob” Dobbs Church of the SubGenius”’




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